by Katie Trahair-Davies

Walk along any beach in Cornwall and if you look close enough you will discover tiny plastic pellets hidden among the sand. Commonly known as microplastics, these pellets are wreaking havoc in our oceans. They are a silent killer that is polluting and causing irreversible damage to our oceans and planet. 

What Are Microplastics?

‘Microplastics’ is a general definition for any tiny piece of plastic less than five millimetres (0.2 inches) in diameter. They come in many different forms, but the most common types that can be found on the beaches today include:

• Microbeads: tiny plastic particles purposefully added to cosmetic or hygiene products

• Microfibres: tiny synthetic fibres that are commonly released as clothes are washed

• Nurdles: ‘small plastic pellets about the size of a lentil’ which are produced for the purpose of melting and moulding into plastic products.

• Secondary microplastics: pellets that start as larger plastic items but are gradually worn down by external factors (eg: bright sunlight or constant battering by waves) until they become individual fragments of plastic.

The origins of these microplastics washing up on our shores are usually everyday activities undertaken by all of us, such as showering or using a plastic bottle. Many popular cosmetic brands take advantage of the exfoliating properties offered by tiny particles of plastics like polyethylene, polystyrene or polypropylene, and can pack over 330,000 of these microbeads into a single tube of their products. Whilst this statistic is disturbing in its own right, it is the knowledge that one shower using these products can send up to 100,000 of the tiny plastic pieces drown the drain that truly illustrates how much each person could potentially be contributing to this rapidly escalating crisis.

Their Effects On Animal And Human Health

Once in the sea, microplastics affect everything in the oceanic ecosystem- both zooplankton and larger sea animals mistake the tiny pieces of plastics for other sea life and ingest them. Although it is easy for some people to remain unaware of this part of the problem because it doesn’t have an impact on their daily life, once the negative impacts start to appear along our coastlines it becomes impossible to ignore. The microplastic problem has quickly evolved into a global issue and nowhere is exempt from its affects, not even Cornwall.

Microplastics is an issue for every environment, every country, and every society

Emily Stevenson, Beach Guardian

In 2019, it was discovered that in a study of 50 marine mammals found in British waters, every single animal had evidence of microplastics in their digestive system. Last year the University of Exeter conducted similar research on demersal sharks living off the coast of Cornwall and found that 67% of the 46 sharks studied contained microplastics and other man-made fibres. The plastics the sharks had ingested were almost exclusively microfibres- suspected to originate from face masks and textiles. This being only one example of how microplastics affect Cornish Sea life, it is reasonable to assume that many more species along the county’s coast are accidentally ingesting microplastics too. Furthermore, the sad fact is that these pollutants do not sit inert within the animals. Scientists are beginning to discover that microplastics are changing the ways animals fundamentally function– with evidence that these plastics alter their feeding behaviour by decreasing hunger for actual food and blocking their digestive tracts- to name but two of the serious consequences that can occur.

As more shocking statistics are released about microplastics,it is increasingly apparent that their impact is not limited to wildlife, but that they affect the human species too. The true danger of microplastics is that- uniquely from other larger forms of plastics- they have the ability to make their way into our food chain largely unnoticed. Despite this, many people remain unaware that this is occurring and, more worryingly still, there is limited research on the effects it may have on human health.

The Problem In Cornwall And Beyond

This is not a problem that Cornwall is exempt from. Historically South West Water has used toxic biobeads as a way of cleaning water, and this has proven to be dangerous to the local environment. Over 10 years ago a spill at SWW’s treatment centre outside of Truro led to over one billion biobeads being spilt into the Fall estuary. There is now evidence that these same biobeads have entered local food chains: an investigation lead by the University of Plymouth discovered that when looking at the digestive matters of a gull found downstream of the Estuary, almost half of the contents found were the biobeads earlier discovered in the surrounding waters. It is not a huge leap of the imagination to assume that these same beads found in local wildlife are already in our food and water.

Despite the UK government banning the production and use of these plastics for cosmetic or hygiene products in 2018, there is yet to be any slowing of these beads appearing on our beaches and in the ocean. Whilst the ban was a huge step in the right direction, the influx of microplastics will only start to slow when a larger proportion of countries enact bans on the production and usage of this type of plastic. Emily Stevenson of environmental charity Beach Guardian said that “People may be aware that there is now a ban, but they weren’t necessarily aware why that ban came into force and what products had the microplastics in”.

She continued: “All of our bodies are getting polluted with microplastics, the air that we breath is polluted with microplastics, the water that we drink is polluted with microplastics, and yet there are no visual tools for us to communicate this”. It is this invisibility that is making the spread of microplastics so harmful and also exacerbating ignorance. Although we are already swimming amongst them when we take a dip in the sea, walking on them hidden in the sand and they pollute almost every aspect of our lives, the majority of people remain unaware of this, and for those who have more knowledge of the issue the size of the pollutants can lead to a case of ‘out of sight, out of mind’.

With microplastics quickly becoming one of the main causes of plastic pollution in the oceanic world, it is imperative that people very quickly become more educated about this issue, how they might be inadvertently contributing to it and what we all need to do to address it. However, this is too big a problem for the public to tackle by itself unless there is increased backing from governments all over the world. A global issue like this calls for global awareness and a united global response- and fast.   

by Emilia Griffin

It goes without saying that for many living in Cornwall, fishing is a big part of their lives. It is also a major part of the Cornish and UK economy.

The recent documentary, Seaspiracy, directed by filmmaker Ali Tabrizi investigates the environmental impact of fishing and seeks to expose the dark secrets in industrial fishing. Tabrizi interviews scientists and members of marine organisations such as Sea Shepherd and Marine Stewardship Council. The documentary highlights that “sustainable” has become a buzzword of sorts. The EU commissioner of fisheries and environment described sustainable as putting 100 Euros into the bank and only spending the interest and that this is how it should be with fishing.

Since the documentary was released, it has received criticism that some interviews and facts have been taken out of context. Perhaps Ali Tabrizi was telling a story through his filmmaking? It was emotional to watch, and this compels us to make new positive choices.

Fish populations are in decline due to overfishing, disease, pollution, invasive species and climate change. One third of fish stocks were considered to be overfished in the Living Planet Report by WWF. There is a delicate balance in ecosystems, and this decline would lead to decreased food availability for other marine animals. The fishing industry has a responsibility to protect the oceans so that there will still be stocks available in years to come to provide further jobs.

I spoke with Chris Ranger of Fal Oyster Ltd and Fal Fishery Cooperative CIC to learn more about his methods of fishing and how he is looking to increase populations of the native oyster in the Fal Estuary. Native oysters are important because they are a keystone species that filter the water making it better quality for other species to thrive. One oyster can filter almost 200 litres of water a day. The small estuary is dredged by hand, sail, and oar to harvest the oysters, but this also helps to prevent silt and has been done this way in the Fal Fishery for many centuries.

Ranger’s aim is to have a managed hatchery where hopefully the survival rate of native oyster larvae is increased. These managed stocks will provide important data on how the juveniles best survive and what the population size is in the estuary. This is a sustainable method of fishing because only the larger, older oysters are harvested when they have left many recruits and the stocks will be replenished by retaining the juveniles for longer, whilst allowing a responsible income to be made from selling the oysters. The aquaculture research site means that young oysters will be caught and kept in trays to grow and repopulate while older, larger oysters can be caught and sold.

The larger oysters for market must be purified in the processing tanks before selling them on, which allows them to be sold for more and provides more jobs. In 2008 the UK voted for a shellfish ban on ‘third countries’ from class B waters unless the shellfish is purified before selling. When we left the EU this meant nearly all UK waters were not clean enough to be sold unpurified. The purification process is at an extra cost and time to some fishermen and when we first left the EU there were delays importing goods, which put the shellfish at risk of dying and caused a loss for some fishermen. However, Ranger commented that he did not sell a lot abroad and so the COVID-19 lockdown had a larger impact on his sales than Brexit has done as he was already purifying his oysters before sales. Lockdown has massively impacted sales to restaurants and means that many fishermen have relied on home deliveries much more.

Chris Ranger has an ongoing Crowdfunder to raise money for the SavingEster Campaign, which was built from the first year of donations. The next stage is building the research vessel for the aquaculture site, which will be required for collecting scientific data that can be used to encourage the prevention of overfishing of the juveniles and move towards better fishing regulations for future generations. If you can, this is an important fundraiser to contribute to whether you love eating oysters, care about the local economy or care about the environment. https://www.crowdfunder.co.uk/savingestertheoyster

Seaspiracy provided us with a worrying insight into the reality of industrial fishing and has seen many since give up eating fish. However, for some this is not an easy option. Fortunately, there are still fishermen who are hopeful for the future of local fisheries if the right regulations are put into place and consumers make sensible choices by supporting local, sustainable suppliers.

by Emilia Griffin

Cornwall has a lot to offer across the county, from the larger, more interactive and modern museums to the little, local museums dotted around different parishes showcasing local history and offering an insight into society of the past and present. This list is not exhaustive by any means but offers a guide to museums that may interest you – whether a local or a tourist wanting to find out more about Cornwall, technology and science, art and social history.

As highlighted by the Cornwall Museums Partnership, Cornwall has a wealth of brilliant museums, many of which include exhibits with links to science and the community. To find something to do wherever you are in the Duchy, follow us on this virtual tour:

PK Porthcurno · Geevor Tin Mine, St Just · Penlee House, Penzance · Tate St Ives · Museum of Cornish Life, Helston · National Maritime Museum, Falmouth · Falmouth Art Gallery · Royal Cornwall Museum, Truro · Wheal Martyn, St Austell · Eden Project, St Austell · Bodmin Keep · Museum of Witchcraft and Magic, Boscastle

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PK Porthcurno

We start our journey in the South West of Cornwall at PK Porthcurno, the UK’s only museum dedicated to global communications. The first international telegraph cable was run from India to Porthcurno, or PK, in 1870 and reduced the message time from 6 weeks to just 9 minutes. This was revolutionary for global communications and the beginning of the science and technology that underpins the world today. The museum takes you through the history of electricity, morse code, telegraph and the future of technology for communications with a series of interactive exhibitions and informative talks. While we patiently wait for indoor entertainment to open again, head over to CSC Youtube channel to watch a talk with Paul Tyreman to celebrate 150 years since the cable station opened. Also make sure to head to the beautiful golden sands in the bay of Porthcurno.

Geevor Tin Mine

Next, we head up to St Just to visit the Geevor Tin Mine to learn the story of the tin and copper mining industry in Cornwall. Here you can visit the mining buildings and enter the 18^th century Wheal Mexico Mine and walk the tunnels of the mining men over 200 years ago or pan for “gold” in the mill. The Dry is a truly moving experience as the change room is left as it was when it was used for the last time with all the smells and sights that the miners would have known well. Geevor is a truly fascinating day out learning about the science behind and importance of metals mined in Cornwall.

Penlee House

Penlee House in Penzance is up next. Here we have galleries with an art collection celebrating Cornish talent from the 19^th and 20^th centuries. The museum’s collection covers over 6000 years of history in the West of Cornwall through archaeology, social history, natural science and of course art and photography. The house is set in a beautiful park grounds with a shop and café on offer too.

Tate St. Ives

Next stop, St Ives. Here Tate St Ives over-looks the beautiful sandy beach of Porthmeor bringing visitors from all over the world. Whilst the Tate is not a local organisation, many of the exhibitions showcase the artists of Cornwall. A significant artist to note is Barbara Hepworth who was a leader in artists who fled to St Ives during both wars. Just down the road is a museum dedicated to her and her sculpture garden. Here you can also see many other famous artists from around the world including works by Picasso and Matisse. This is a must see if you want to get to all the Tate galleries!

Museum of Cornish Life

The Museum of Cornish Life is a free admission must see back down in Helston. Here is a collection of Cornish history artefacts from farming to toys to gardening and musical instruments. Dotted around all of Cornwall are many voluntary run museums displaying social history artefacts for that particular area. This is potentially unrivalled by any other county due to Cornwall’s interesting communities with fishing and mining.

National Maritime Museum & Falmouth Art Gallery

Falmouth is next, a town influenced by the sea and its maritime heritage. Here we have the National Maritime Museum and Falmouth Art Gallery. The National Maritime Museum explores the influence of sea on history and culture. An interactive and immersive experience takes you around Cornwall and the world. The current exhibition is Monsters of the Deep learning about legends, folklores and modern-day science. Head over to our Youtube channel again for a talk about the evolution of sailing dinghies by Reuben Thompson who is the in-house boatbuilder. Falmouth Art Gallery is another outstanding collection of British and Cornish artworks all available to view for free.

Royal Cornwall Museum

Now we move on to the Royal Cornwall Museum in Truro, Cornwall’s only city, which promotes excellence in science and art and tells stories of Stone Age Cornwall to current artefacts.  The museum is part of the Cornwall Museums Partnership.

“Cornwall Museums Partnership develop and manage collaborative programmes of work which are designed to help museums raise standards, engage with more people and to be sustainable and resilient. We help museums to do the things that some find difficult to do on their own including advocacy, audience development, fundraising and workforce development. We are always open to suggestions of ways to collaborate in inclusive and innovative ways: if people want to find out more, have any questions or ideas please contact us on info@cornwallmuseumspartnership.org.uk”

Celine Elliot, Cornwall Museums Partnership Engagement Lead

Wheal Martyn

We move east to Wheal Martyn near St Austell. In the UK’s only china clay mining museum you can learn how the industry has shaped the lives and landscapes of Cornwall. Here you can go to an interactive discovery centre, woodland walks with local wildlife, historic trails and a real modern working clay pit. The china clay industry is less well known than the tin and copper mining industries but is an important contributor to the national economy. Wheal Martyn produces china clay, a material that is used in items such as paper and pharmaceuticals in our everyday life.

Eden Project

Close by is The Eden Project which is a collection of huge Biomes housing plants from all over the world, including the world’s biggest indoor rainforest. There are also outside gardens with many native and temperate region plants. The water used at the Eden Project is harvested rainwater and the buildings have underground irrigation for plants and flushing loos. Here we learn the significance of the relationship between plant and people and how this can help us to address the crisis the planet faces.

Bodmin Keep

Heading north is Bodmin Keep, a centre of Cornish and world history to educate people of all ages about conflict and the impact of war. The Keep is the historic home of the army in Cornwall and teaches 300 years of military history. The museum is a testament to soldiers, their families and the affected local communities.

Museum of Witchcraft and Magic

Finally, on the North Coast is Museum of Witchcraft and Magic in Boscastle which explores British magical practice and makes comparisons with other systems of belief. Learn about the diversity of magical practice through entertaining exhibitions and the collection of objects which has been described as the largest in the world.

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This list of some of the main museums should hopefully provide you with something to do whatever the weather and something to get you excited to learn again. Cornwall has a lot to offer and teach about its social history and importance of different industries. We should take these opportunities to get learning when these experiences are offered to us by volunteers at little cost. We are lucky to live in such an incredible place with so much science to offer.

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by Jessica Forsyth

When you think of Cornwall and rum, your initial thoughts may be of the county’s notorious smuggling history.  Indeed, in the 18^th and 19^th century, Cornwall was a centre for smuggling of goods such a tea, tobacco and of course, rum. There are many stories, including the famous novel ‘Jamaica Inn’ by Daphne du Maurier, that tell the tale of wreckers who would entice ships to the coastline before looting them when they inevitably ran aground on the rocky shores.

But what if instead, your first thought was of a pioneering project that harnessed renewable geothermal energy to mature and distill rum right here in Cornwall? Well, this is the hope of the Cornish Geothermal Distillery Company (CGDC) who have ambitious plans to create the UK’s first geothermal run maturation facility and distillery on land in Redruth, Cornwall.  

About the Project

The United Downs Deep Geothermal Power Project (UDDGP) is the first geothermal power plant in the UK. It aims to utilise the hot granite rocks below the United Downs Industrial Site to generate power and heat.  The CGDC’s plan is to make a direct connection to the power plants waste heat output and boost it to run heat intensive distillery processes. To do this they aim to use an innovative high temperature heat pump that they are developing alongside global engineering consultancy, Buro Happold. This would go a long way to making it one of the most sustainable and carbon-neutral distillery projects in the UK.

The CGDC’s efforts to prioritise and champion sustainability has been recognised through their receipt of the largest single award from the UK Government’s Green Distilleries Competition which aims to fund the development of technologies that enable distilleries to use low carbon fuel.  These awards form part of the governments commitment to “building back greener” from the Covid-19 pandemic. Clean Growth Minister Kwasi Kwarteng believes that these awards will allow “UK distilleries to lead the way…in the green industrial revolution…while also creating jobs”.

However, despite this support from the UK government, and the project’s potential for providing “much-needed investment and quality full-time jobs…in this part of Cornwall”“much-needed investment and quality full-time jobs utilizing local skills and businesses in this part of Cornwall”, the original project’s progress through planning has come to a standstill due to a conflict arising from the land on which the rum maturation facility’s designs were initially drawn up.

Concern over the site

In the 18^th century, this area of land at United Downs was used for mining and forms part of the Cornwall and West Devon Mining Landscape World Heritage Site. UNESCO and Historic England have expressed a great deal of concern regarding the potential environmental impact of the project and claim that it ‘risks damaging one of Cornwall’s prized natural landscapes’. Although they have expressed their support for the economic and employment benefits that the project aims to provide for the local area, they wish for an alternative location for its construction to be found.

CGDC’s concept requires proximity to the geothermal power plant and in their Design and Access Statement for the original plan they argue that the ‘development has the potential to offer long-term security for the site and its mining heritage’ and claim that they are committed to provide funding to contribute towards ‘restoration of the mining heritage on and around the site boundary’ as well as ‘offering World Heritage and Cornish mining related literature’ in the Visitor Centre. In spite of CGDC’s promise to spend £2 million decontaminating the site and restoring heritage features that have been heavily eroded, Historic England and UNESCO’s intervention means the original project’s future is now uncertain.

The conflict over the use of this site also comes from the current leaseholders, Purple Cornwall Ltd, also known as Autospeed, who currently use the site for stock racing. According to a statement by Cornwall council ‘Purple Cornwall’s lease with the Council to operate their stock car racing business on Cornwall owned land at United Downs runs until October 2021.’ Autospeed fear that with alternative sites for the racetrack yet to be found, the council’s plans to look for ‘low carbon and sustainable alternative uses for the site’, such as the distillery, may signify the end of stock racing in Cornwall for good. Calls to save the motor sport venue are being made by The Save United Downs Raceway Action Group and have been backed by former Renault Formula 1 racing driver Derek Warwick.

The concern shown by UNESCO/Historic England for the protection of this world heritage site from degradation caused by the construction of the distillery is somewhat confusing when considering its current use. Undoubtedly over the 50 years during which the site has been used as a racetrack, it will have suffered from erosion and continuing to use the site in this way would seem to conflict with the aim of preserving the heritage of the Cornwall Mining Landscape.

Cornwall council have said that ‘In preparation for when the lease expires in 2021, the Council is looking at low carbon and sustainable alternative uses for the site’ that ‘contribute to economic growth’ and provide ‘job opportunities in the area’. It seems, regardless of whether the distillery plans go ahead on this site or not, the racetrack has a small chance of being able to continue to exist at this site, but, with the support of the Council, will hopefully be able to relocate and continue to provide ‘a safe, controlled environment’ for ‘followers of racing, and for families who are looking for that great day out with a difference’ to enjoy.

Looking ahead

CGDC’s determination to safeguard their green, job-creating, sustainable project has seen them submit a new outline planning application for a much smaller research and development proposal. This project would be built on the hard edge of the former United Downs landfill site – a brownfield site that currently has no designation and is situated directly next to the Geothermal Energy Plant. The “Celsius – Sustainable Distillery Research Centre” will make use of the aforementioned high temperature heat pump to operate a copper still for distilling rum and a small facility to mature rum in casks. This Celsius Centre is a separate scheme from CGDC’s pioneering Rum Cask Maturation Facility and would have no biome or visitor centre, no public access and would create 6 full-time jobs. Its true value lies in its focus on the development of green technologies that will not only enable the distillery ‘industry to make vast improvements in energy efficiency’ but will also allow other ‘enterprises to use waste heat from other industrial processes too’.

The research conducted at this Centre and the technologies developed would undoubtedly act as important foundations for the shift to a green economy post pandemic and would contribute to increased focus on sustainability ‘in the distillery sector and beyond’. In a time when Cornwall Council has declared a climate emergency, surely supporting the development of a project that is committed to the creation of green jobs and ‘revolutionising sustainability’ should be part of the action plan to achieve a cleaner and greener Cornwall.

To keep up with project developments please go to www.geothermaldistillery.com.  

by Jessica Forsyth

On a sunny day in Cornwall there are plenty of activities to enjoy outdoors, whether it be a long walk along the coastal path or a refreshing dip in the sea. But on a day where the weather is not so pleasant, there is a lack of indoor activities to turn to, particularly for those with young and inquisitive children.

Discovering 42 are a community interest company that have recognised this and believe that Cornwall would benefit greatly from the opening of a museum that combines art with science and sustainability.

They are currently raising funds via their Crowdfunder page with the aim of setting up a pilot exhibition for a period of 6 months. During this time, they hope that high footfall will prove that there is a keen interest and desire for this type of attraction and hope to go on to make it a permanent fixture for the region to enjoy.

On their website, Discovering 42 state that they ‘want to challenge the misconceptions that art is frivolous and science is perplexing’. In other words, they wish to demonstrate that art can be an extremely effective and captivating method of conveying important messages. In this particular instance, they aim to use the skill and talent of local Cornish artists to create exhibits that will be, where possible, crafted using recycled or waste materials. They wish to show that when you combine art with science, you are able to engage people on issues they might not have otherwise shown an interest in, in a much more effective way.

Indeed, some of the most memorable pieces of artworks I have seen are where an artist has used their skill and talent to convey a message of importance, typically a message related to an environmental issue or issue of sustainability. One such example is a piece of art known as “Skyscraper” which is a sculpture of a whale made of over five tons of plastic that was found in the Pacific and Atlantic ocean. This sculpture was designed by architects and designers from STUDIOKCA and has been toured around the word. 

I think there is much to be said for the pairing of art and science. Looking back in history, art has long been used as a method for documenting scientific discoveries or progression. An example of this is of Marianne North’s paintings of tropical plants. In her 40’s, Marianne decided she would travel the world and document the worlds flora through paintings. She was an acquaintance of Charles Darwin, who is said to have considered her paintings as excellent examples of his theory of natural selection. Her paintings can be seen to provide a visual accompaniment that aid the understanding of the writings of Darwin, once again demonstrating the benefits that can result from the coupling of art with science.

Cornwall is undoubtedly  ‘a region with creativity at its heart’ and has provided the world with exceptional engineers, scientists and artists. Having a museum where this can be celebrated and recognised would be a great asset to the region and contribute to achieving progress on the CSC’s key ambition of increasing the number of people who are actively engaged and involved with science in Cornwall.

Of course, Cornwall has many other museums to offer that showcase various cultural and historical aspects of the region, such as its maritime links and mining history, that are all worth a visit. In fact, the CSC is currently working closely with the Cornwall Museums Partnership to find a way to support the virtual showcasing of such attractions. So, if you’re interested in finding out more about some of the interesting museums that Cornwall has to offer, do keep your eyes peeled for more information in the coming months!